Incredible reviews from major game magazines as well as the positive responses from the fan community proved them right and now the two Expansion Packs, ‘Hearts of Stone’ and ‘Blood and Wine,’ are already in the making. To avoid that the game could only be played on super hightech PCs as it appeared after the first visuals that were released to the public, CD Projekt went the extra mile and pushed the deadline twice to optimize it for all platforms. While this shows Marcin’s devotion to the game as well as the high value fans have for him, I really hope that you, dear reader, will enjoy the details about the scoring process behind The Witcher 3.īut before we jump into details please enjoy the game’s first trailer from 2013: In the very beginning of the interview when I asked him what exactly he was working on at the moment, he told me that actually he was on vacation and only came to CD Projekt to do this interview. Last year we got to interview him briefly during the Film Music Festival in Krakow, so I was curious what had happened since then and it was a great opportunity to find out more about the creative process behind the Witcher games in general. Therefore I was really glad to get the chance to sit down with Composer and Music Director Marcin Przybyłowicz in his studio in Warsaw at CD Projekt Red this summer.
Now the Extended Edition of its Soundtrack has been released digitally, including 56(!) tracks. That is clearly visible in the 4 million copies sold within the first two weeks after the release of its latest title, The Witcher 3: Wild Hunt. Based on Andrzej Sapkowski‘s books it has made its way to become one of the most anticipated games in 2015. The Witcher clearly is a phenomenon and put Poland on the Triple AAA video game map.
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